Without the "system of Станиславского" it is impossible to present a modern world theatrical art. This stage theory and today "mastery of actor" and "mastery of stage-director" are the basis of practical educating of actors and stage-directors on a profiling course.In the completest, "capital", kind the "system" is expounded in labour of К. С. Станиславского "Prosecution of actor of itself. Diary of student" (part of I and II).Second part of it works first for many years published in this edition is "Prosecution of itself in the creative process of embodiment" - sanctified to the questions of preparation of "physical vehicle" of actor to embodiment of role.In this part the elements of an external stage expressiveness are examined the most detailed character and analysed and worked out the totals to all complex of questions of professional preparation of actors the discussion of that was begun in to the first part is "Prosecution of itself in the creative process of experiencing".